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Rafaela Sales Ross is a proud Brazilian living in Scotland. She has a Masters in Film and Visual Culture and has been researching the portrait of suicide on film for almost a decade.
With work published on Little White Lies, The Skinny, The Quietus and more, Rafa’s specialities include the exploration of death, existence and legacy on film and Latin American Cinema. Her favourite film is Harold and Maude and she has a soft spot for Alfred Molina, Domhnall Gleeson and anything by Kleber Mendonça Filho.