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I am currently free to work and you can contact me through the channels below:

rafiews@gmail.com

About

Rafaela Sales Ross is a proud Brazilian living in Scotland. She has a Masters in Film and Visual Culture and has been researching the portrait of suicide on film for almost a decade.

With work published on Little White Lies, Film Inquiry, Girls on Tops and more, Rafa’s specialities include the exploration of death, existence and legacy on film and Latin American Cinema. Her favourite film is Harold and Maude and she has a soft spot for Alfred Molina, Domhnall Gleeson and anything by Kleber Mendonça Filho.


Examples of work

In praise of Robert Redford’s Ordinary People

Children of the Future: Dystopian Parenting in The Pink Cloud and The Dog Who Wouldn’t Be Quiet

The Most Beautiful Boy in the World and the dark legacy of Death in Venice

Dark Holes in the Sky: On Mimi Leder’s Deep Impact and a Paralysing Fear of the End

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Rafa Sales Ross

South American film writer with a love of crosswords, bad puns, fresh waffles and Ruth Gordon.

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Tópicos recentes: RAFIEWS

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1917

Bombshell

(LFF 2019) Instinct

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