Reviews The Phantom of the Open review – Mark Rylance golf comedy hits a hole in one ‘Alcarràs’ Review: Carla Simón’s Latest Is An Expert Blend Of Vivid Cinematography & Naturalistic Performances [Berlin] ‘This Much I Know To Be True’ Review: Andrew Dominik Captures Another Moody, Deeply Human Portrait of Nick Cave [Berlin Film Festival] ‘Coma’: Bertrand Bonello’s Latest Is An Unforgiving, Nightmarish Blast [Berlin Film Festival] ‘The Passengers Of The Night’ Review: Charlotte Gainsbourg Eventually Finds Her Way In A Moody, Melancholic Drama [Berlin Film Festival] Am I OK? review – queer coming-of-ager is earnest but undaring Dual review – clone war sci-fi doesn’t quite reach its full potential Living review – miraculous remake of a Japanese masterpiece Minyan Bull review – revenge thriller falls prey to tropes it wants to debunk Nascondino review – sublime exploration of nature versus nurture ‘The Tender Bar’ Review: A Charming, Albeit Forgettable George Clooney Effort [BFI LFF] LFF 2021: The Hand of God LFF 2021: Bergman Island REVIEW: Medusa (TIFF 2021) The Last Duel – first-look review “Spencer”: Kristen Stewart brilha como Princesa Diana em novo filme de Pablo Larraín Venice Film Festival 2021: The Card Counter Venice Film Festival 2021: TRUE THINGS Venice Film Festival 2021: Dune Venice Film Festival 2021: Last Night in Soho EIFF 2021: The Justice of Bunny King Wildland EIFF 2021: Europa REVIEW: Hellbender (Fantasia 2021) The Bright Side – EIFF 2021 Review REVIEW: King Car (Fantasia 2021) REVIEW: Here After (2021) Glasshouse – Fantasia Festival 2021 Review #Blue_Whale – Fantasia Festival 2021 Review REVIEW: A Perfect Enemy (2021) GREAT WHITE: A Shark Suspense With No Bite REVIEW: Pig (2021) REVIEW: Horatio (2021) Nobody – Review REVIEW: Flashback (2021) Cruella – Review REVIEW: Paper Spiders (2021) ROAD TO OSCARS: The Documentary Shorts (2021) REVIEW: Executive Order (SXSW 2021) Paul Dood’s Deadly Lunch Break – SXSW 2021 Review Recovery – SXSW 2021 Review REVIEW: The Fever (2021) Lily Topples the World – SXSW 2021 Review Our Father – SXSW 2021 Review Berlinale 2021: BAD LUCK BANGING OR LOONY PORN Berlinale 2021: WHAT WILL SUMMER BRING Ninja Baby – Berlinale 2021 Review North by Current – Berlinale 2021 Review Preparations to Be Together for an Unknown Period of Time – Glasgow Film Festival 2021 Review Berlinale 2021: I’M YOUR MAN REVIEW: Identifying Features (2021) A Brixton Tale – Glasgow Film Festival 2021 Review REVIEW: My Darling Supermarket (2021) Murmur – Glasgow Film Festival 2021 Review The Mauritanian – Glasgow Film Festival 2021 Review Riders of Justice – Glasgow Film Festival 2021 Review There Is No Evil – Glasgow Film Festival 2021 Review Luzzu – Sundance Film Festival 2021 Review The Dog Who Wouldn’t Be Quiet – Sundance Film Festival 2021 El Planeta – Sundance Film Festival 2021 Review The World to Come – Sundance Film Festival 2021 Review How It Ends – Sundance Film Festival 2021 Review Together Together – Sundance Film Festival 2021 Cusp – Sundance Film Festival 2021 Review Rita Moreno: Just a Girl Who Decided to Go For It – Sundance Film Festival 2021 Review SILENCE & DARKNESS: An Unnerving Tale Of Familial Digression Human Factors – Sundance Film Festival 2021 Review Soul – LFF 2020 Review London Film Festival 2020: SUPERNOVA RADIUM GIRLS: On How The Glowing Element Crowned and Destroyed Women The Truffle Hunters – TIFF 2020 Review Genus Pan – LFF 2020 Review Stray – LFF 2020 Review GUEST OF HONOUR: Some Of Egoyan’s Best Shadow in the Cloud – TIFF 2020 Review Toronto International Film Festival 2020: THE BOY FROM MEDELLÍN: An Important Reflection on the Political Role of Public Figures One Night in Miami – TIFF 2020 Review Penguin Bloom – TIFF 2020 Review Toronto International Film Festival 2020: LIMBO: An Unmissable Take On The Refugee Crisis IED: Improve Every Day – Review LÍNGUA FRANCA: A Tender, Intimate Portrait Of Contemporary US Toronto International Film Festival 2020: APPLES: A Mesmerising Exploration Of Identity, Memory and Grief Baby Done – Review WAKE UP: STORIES FROM THE FRONTLINES OF SUICIDE PREVENTION: Starting a Vital Conversation DREAMLAND: Should Have Stayed In The Land Of Dreams NEON BULL: A Bold, Subversive Look Into Rodeo Life Butt Boy TRIXIE MATTEL – MOVING PARTS: A Poignant Take On Ephemeral Fame | Film Inquiry Steel Magnolias – My First Time Film Review Military Wives OLYMPIC DREAMS: A Cinematic All-Access Pass Into The Games | Film Inquiry GFF’20— ‘Deerskin’ is an Ode to Oddness A White, White Day GFF’20 — A Product of its Time, ‘Three Summers’ Offers a Compelling Look into Contemporary Brazil Forget the sci-fi approach, Little Joe is a motherhood tale 1917 ‘Bombshell’s Overwhelming Male Gaze Stifles its Important Message Compartilhe isso:TwitterFacebookLike this:Like Loading...