Reviews

The Phantom of the Open review – Mark Rylance golf comedy hits a hole in one
‘Alcarràs’ Review: Carla Simón’s Latest Is An Expert Blend Of Vivid Cinematography & Naturalistic Performances [Berlin]
‘This Much I Know To Be True’ Review: Andrew Dominik Captures Another Moody, Deeply Human Portrait of Nick Cave [Berlin Film Festival]
‘Coma’: Bertrand Bonello’s Latest Is An Unforgiving, Nightmarish Blast [Berlin Film Festival]
‘The Passengers Of The Night’ Review: Charlotte Gainsbourg Eventually Finds Her Way In A Moody, Melancholic Drama [Berlin Film Festival]
Am I OK? review – queer coming-of-ager is earnest but undaring
Dual review – clone war sci-fi doesn’t quite reach its full potential
Living review – miraculous remake of a Japanese masterpiece
Minyan
Bull review – revenge thriller falls prey to tropes it wants to debunk
Nascondino review – sublime exploration of nature versus nurture
‘The Tender Bar’ Review: A Charming, Albeit Forgettable George Clooney Effort [BFI LFF]
LFF 2021: The Hand of God
LFF 2021: Bergman Island
REVIEW: Medusa (TIFF 2021)
The Last Duel – first-look review
“Spencer”: Kristen Stewart brilha como Princesa Diana em novo filme de Pablo Larraín

Venice Film Festival 2021: The Card Counter
Venice Film Festival 2021: TRUE THINGS
Venice Film Festival 2021: Dune

Venice Film Festival 2021: Last Night in Soho
EIFF 2021: The Justice of Bunny King
Wildland
EIFF 2021: Europa
REVIEW: Hellbender (Fantasia 2021)
The Bright Side – EIFF 2021 Review
REVIEW: King Car (Fantasia 2021)
REVIEW: Here After (2021)
Glasshouse – Fantasia Festival 2021 Review
#Blue_Whale – Fantasia Festival 2021 Review
REVIEW: A Perfect Enemy (2021)
GREAT WHITE: A Shark Suspense With No Bite
REVIEW: Pig (2021)
REVIEW: Horatio (2021)
Nobody – Review
REVIEW: Flashback (2021)
Cruella – Review
REVIEW: Paper Spiders (2021)
ROAD TO OSCARS: The Documentary Shorts (2021)
REVIEW: Executive Order (SXSW 2021)
Paul Dood’s Deadly Lunch Break – SXSW 2021 Review
Recovery – SXSW 2021 Review
REVIEW: The Fever (2021)
Lily Topples the World – SXSW 2021 Review
Our Father – SXSW 2021 Review
Berlinale 2021: BAD LUCK BANGING OR LOONY PORN
Berlinale 2021: WHAT WILL SUMMER BRING
Ninja Baby – Berlinale 2021 Review
North by Current – Berlinale 2021 Review
Preparations to Be Together for an Unknown Period of Time – Glasgow Film Festival 2021 Review
Berlinale 2021: I’M YOUR MAN
REVIEW: Identifying Features (2021)
A Brixton Tale – Glasgow Film Festival 2021 Review
REVIEW: My Darling Supermarket (2021)
Murmur – Glasgow Film Festival 2021 Review
The Mauritanian – Glasgow Film Festival 2021 Review
Riders of Justice – Glasgow Film Festival 2021 Review
There Is No Evil – Glasgow Film Festival 2021 Review
Luzzu – Sundance Film Festival 2021 Review
The Dog Who Wouldn’t Be Quiet – Sundance Film Festival 2021
El Planeta – Sundance Film Festival 2021 Review
The World to Come – Sundance Film Festival 2021 Review
How It Ends – Sundance Film Festival 2021 Review
Together Together – Sundance Film Festival 2021
Cusp – Sundance Film Festival 2021 Review
Rita Moreno: Just a Girl Who Decided to Go For It – Sundance Film Festival 2021 Review
SILENCE & DARKNESS: An Unnerving Tale Of Familial Digression
Human Factors – Sundance Film Festival 2021 Review
Soul – LFF 2020 Review
London Film Festival 2020: SUPERNOVA
RADIUM GIRLS: On How The Glowing Element Crowned and Destroyed Women
The Truffle Hunters – TIFF 2020 Review
Genus Pan – LFF 2020 Review
Stray – LFF 2020 Review
GUEST OF HONOUR: Some Of Egoyan’s Best
Shadow in the Cloud – TIFF 2020 Review
Toronto International Film Festival 2020: THE BOY FROM MEDELLÍN: An Important Reflection on the Political Role of Public Figures
One Night in Miami – TIFF 2020 Review
Penguin Bloom – TIFF 2020 Review
Toronto International Film Festival 2020: LIMBO: An Unmissable Take On The Refugee Crisis
IED: Improve Every Day – Review
LÍNGUA FRANCA: A Tender, Intimate Portrait Of Contemporary US
Toronto International Film Festival 2020: APPLES: A Mesmerising Exploration Of Identity, Memory and Grief
Baby Done – Review
WAKE UP: STORIES FROM THE FRONTLINES OF SUICIDE PREVENTION: Starting a Vital Conversation
DREAMLAND: Should Have Stayed In The Land Of Dreams
NEON BULL: A Bold, Subversive Look Into Rodeo Life
Butt Boy
TRIXIE MATTEL – MOVING PARTS: A Poignant Take On Ephemeral Fame | Film Inquiry
Steel Magnolias – My First Time Film Review
Military Wives
OLYMPIC DREAMS: A Cinematic All-Access Pass Into The Games | Film Inquiry
GFF’20— ‘Deerskin’ is an Ode to Oddness
A White, White Day
GFF’20 — A Product of its Time, ‘Three Summers’ Offers a Compelling Look into Contemporary Brazil
Forget the sci-fi approach, Little Joe is a motherhood tale
1917
‘Bombshell’s Overwhelming Male Gaze Stifles its Important Message