Highlights

What Scared You, Mum? The Open Wounds of Petite Maman

Spencer And The South American Myth Of Princess Diana

Why I love Ellen Burstyn’s performance in The Last Picture Show

Be Free: The Morose and Joyful Harold And Maude At 50

Quentin Dupieux on Deerskin

SXSW INTERVIEW: ‘Executive Order’ Director Lázaro Ramos

The Most Beautiful Boy in the World and the dark legacy of Death in Venice

Children of the Future: Dystopian Parenting in The Pink Cloud and The Dog Who Wouldn’t Be Quiet

There She Is: The Wonder of Repeating Outfits And The Broken Hearts Gallery

Bacurau and the revenge of the colonised

In praise of Robert Redford’s Ordinary People

Dark Holes in the Sky: On Mimi Leder’s Deep Impact and a Paralysing Fear of the End

The Exploration of Female Sexuality in Brazilian Films at the 2019 London Film Festival