Features

What Scared You, Mum? The Open Wounds of Petite Maman
Spencer And The South American Myth Of Princess Diana
Why I love Ellen Burstyn’s performance in The Last Picture Show
Be Free: The Morose and Joyful Harold And Maude At 50
The Most Beautiful Boy in the World and the dark legacy of Death in Venice
Children of the Future: Dystopian Parenting in The Pink Cloud and The Dog Who Wouldn’t Be Quiet — Girls on Tops
There She Is: The Wonder of Repeating Outfits And The Broken Hearts Gallery — Girls on Tops
Bacurau and the revenge of the colonised
Dark Holes in the Sky: On Mimi Leder’s Deep Impact and a Paralysing Fear of the End
In praise of Robert Redford’s Ordinary People
Cineola Festival, Resistir: The Importance Of Community
Lenny Abrahamson And The Longing For The Unreachable
LOST GIRLS, THE FROZEN GROUND & The Depiction Of The Less Dead | Film Inquiry
The Exploration of Female Sexuality in Brazilian Films at the 2019 London Film Festival